Friday, October 22, 2010

Music of the... since whenever I posted one last?

For a while there, I was doing one of these every week - and in a perfect world, I'd love to continue that tradition... but as we all know, its not a perfect world. :)

There have been a ton of releases since I last posted about them, but these are some of the things in heavy rotation for me recently:

First and foremost, I seriously can't get enough of this Eskmo LP on Ninja Tune. Bloody hell. I mean, its like nothing I've ever heard, and I'm all about it. (As I post this, the tune "My Gears Are Starting To Tremble" is on - LOVE IT, but too short a song, in my opinion)

If you're not familiar, Eskmo is the moniker of San Franciscan Brendan Angelides, who has released for Warp Records and Project Mu before being signed to Ninja Tune for the release of his self-titled debut LP. The album's bpm is about 85% "dubstep" (in that the beats are in the 70/140 range), with some ventures into "hip-hop's" 80-100 bpm territory.

One of the two major things that separates Eskmo's music from the norm is his extremely original percussion sounds; consisting of a combination of organic and syntheitic sounds, both glitched-out and straightforward... but the defining difference for me is Brendan's vocals. His voice is a bit creepy but still inviting, and have this ability to invoke a very emotional response without being typically cheesy. The lyrics are "abstract," but in as much that they are able to have their meanings taken differently, depending on the listener (and mood thereof, for that matter).

This one is going down as one of my picks for Album of the Year, without question.
Eskmo - Official Site

I've also been listening a lot to the album from Shobaleader One, "d'Demonstrator," which is out now on Warp Records.

Shobaleader One is a new musical venture from the production genius Tom Jenkinson aka Squarepusher. Shobaleader One is a band, but not your average band by any means. Tom puts it best in his explaination of the band here, and pretty much says it all with that little Q&A, so I won't go too much into the details.

Not surprisingly, I'm not as into the single as the rest of the LP, but I'm always excited for a new Squarepusher release, and this one came out of nowhere as well as being something completely different from his usual output, so it was a great surprise.
Shobaleader One - Official Site

I'd be remiss if I didn't mention Ram Records head honcho Andy C's newest entry in the Nightlife mix series. Nightlife 5 is absolutely stupendous. They don't call him "The Executioner" for no reason. Seriously, Andy? 35+ tracks on one mix CD? And a whole second mix to boot?? LEGEND. For real. If you're a DnB fan, and one, if not all, of Andy's mixes aren't in your collection, I don't know what you're doing.
Andy C on Discogs

Ok. That's all for now... I really shouldn't be blogging from work (shhh - don't tell anyone!), so I'm off to pretend to do something productive.

 

 

Posted via email from Adding To The Clutter

Laughed my ass off

Came across this online.

Initially, it made me laugh my ass off, but I don't think there was any reason for it to go on for so long.
A verse, maybe two, but a full-length song? Might be a little much.

[possibly NSFW due to language]

Posted via email from Adding To The Clutter

Saturday, October 9, 2010

Eminem to appear on 60 Minutes.

This video is just one of the reasons he's friggin awesome.

I'm actually looking forward to watching this interview... and I haven't watched an episode of 60 Minutes in, well, I've never watched an episode.

Posted via email from Adding To The Clutter

Wednesday, October 6, 2010

A Musical Dilemma

A recent conversation with an old friend - someone who is deeply embedded in the electronic music scene - got me thinking about our (read: everyone's) tastes in music, and how they evolve as time goes by.

He mentioned that he had recently been into a specific genre of EDM, but his tastes were pulling him away from it; he just couldn't get into it so much now as he did in past months/years. This was definitely not a foreign concept to me, as I’ve gone through plenty of these phases before. Hell, there have been times that music in general has just been something I couldn’t find the right “groove” in anymore… granted, it never takes me long to get right back in, but its happened.

The strange thing (as far as I was concerned) was that the music he was no longer “feeling” was a genre of EDM that I feel is as healthy as its been in years: enormous diversity, new upcoming producers willing to try something new, and a shift in where the more “mainstream” output of the genre is headed.

He said he felt it was a tempo thing… which made me question if it might simply be overload. I mean, this is a guy who works with producers and DJs day in and day out, and I’m just thinking it’s the static BPM that he’s listening to that might be the culprit.

I wonder sometimes if we overload our ears with one specific genre of music, and that’s where these ‘genre funks’ come from. As I’ve said plenty of times before, I’m a total drum & bass fanatic. There’s something about that 170-180 bpm tempo that just speaks to me… but in the same breath, I listen to absolutely anything and everything, and try to make it a point to not over-do it with the dnb, making sure I have a varied diet of music in my day-to-day.

I’m interested because I definitely don’t want to see him walk away from what he does, but I also want him to see how healthy this form of music is, and how its evolution is opening doors to new fans and new directions for the music. I also understand the need to branch out and see (hear) what else is out there – especially with EDM in general being in such a great place right now, both musically and culturally.

Is this something that happens to you as well? Do you get genre overload? Is there a way you’ve found to snap yourself out of it, or is it just a matter of going through these phases to eventually come back to a genre that might have been “on the outs” for you?

Hit me up on Twitter or comment here with your thoughts. I’m very interested to know what others think about this “phenomenon,” and how they’ve overcome the same challenges when it comes to our musical tastes.

Posted via email from Adding To The Clutter

Friday, September 24, 2010

A quick note regarding yesterday's post

Wow. Quite a reaction from yesterday's blog. Honestly, I didn't expect to hear so many responses to it, and I'm torn as to whether or not its a good thing.

Allow me to clarify a few things, if you would:

1. I purposely left out names of all parties involved (minus Brian, as he has done nothing but been a friend and partner since I moved here) due to the fact that I really don't like drama. Believe it or not, I want to work at this venue, and I still think they have a ton of potential. Sure, my experience was unfortunate, but these things happen, and I think a meeting to discuss the issue and/or an opportunity to explain both sides of the situation could work wonders to solving the problem.

2. I don't believe in bashing other DJs, but sometimes I just can't keep my mouth shut. Blame it on my upbringing, being a Leo, whatever... but when someone is taking jobs away from people who have worked hard and proven that they deserve an opportunity, simply because he happens to be friends with someone, it upsets me. Sure, I've been given gigs because of who I know and not necessarily because of my abilities, but I've always been willing to give another DJ a shot to prove themselves - even if it means I make a little less money or get a little less exposure. We work in a very small scene here: I've constantly said that our sandbox is too small to have beef with another DJ. That being said...

3. I never claimed to be a great DJ. I've worked with some of the best DJs in the business (in my opinion), and I know my limitations and how I rate next to other DJs. I'm very humble when it comes to skill, talent and showmanship... but I also know what those things are and how important that are to our profession. I believe that DJing is a job. It may be one of the best jobs in the world, but its a job none the less. As a DJ, you've been hired to work. I think sometimes DJs forget that: playing music for an audience is WORK. You're not there to party - you're there to do a job, plain and simple. I've seen DJs who bust their asses for hours on end, pouring their heart and soul into what they're doing, but also being able to enjoy themselves... and a good DJ does just that. But they do it knowing that its work, not a social event. Sure, we all have a drink from time to time throughout the night - I'm as guilty as the next guy: asking for a drink before, during and especially after a set. But I don't get wasted behind the decks. And no DJ should. Its unprofessional and just plain disrespectful to the people paying you (both the venue/promoter and the audience).

I do appreciate all the comments, feedback and input, and believe me: my feelings on the subject don't necessarily mean that there isn't another side to this story. I'm more than open to hear from the venue, owners, or other DJs involved, and discuss the situation and come to a logical and mutually beneficial solution... But something tells me that may not happen.

Posted via email from Adding To The Clutter

Thursday, September 23, 2010

So there's this new club in town...

I know its a rare occurrence that I'm posting new blogs now-a-days - and God only knows how many people even remotely care about what I have to say - but there's something that's been bugging me for a while now, and I feel that if I don't get it off my chest, it'll just make me bitter... well, more bitter, maybe. It'll be a long one, but here goes...

About 2 or 3 months ago, I got a phone call from a guy who was given my info by someone who had heard me DJ an event here in town. The call came in about 10:30 on a Tuesday night. Now I don't know about most of you, but at 10:30 at night, I'm not really in the mindset to talk business... but be that as it may, he wanted to talk about this new club he was opening, and having me involved based on my reputation locally (as well as the fact that I'm on the radio at least 2-3 days a week, I'm sure). So we spoke, exchanged info, and kept in touch here and there as the opening of the club was approaching.

Fast forward to 6 weeks ago.

I got an invite to go in and meet the owner on their first night. The club was beautiful. The atmosphere... the look of the place... the whole thing reminded me of being home (read: South Florida, for those of you who have no idea where I'm from originally). The sound system was a little lacking, but I figured that just had to do with growing pains, first night of working out the bugs, etc. That being said, there were two DJs going 5 for 5 (or so), and one of them was far better than the other - there was an obvious difference between the two that even the girl I was with (who is no expert) noticed it right away.

I spoke for a few minutes with the owner, who told me about their plans for the place, and what type of vibe they were looking to create, etc. He seemed to have a pretty good vision for what they wanted to do - and Lord knows we need a proper venue here in St. Augustine. The girl and I hung out for a while, and as the night went on, the place got pretty busy... especially considering it was their "soft opening," and they had done little to no promotion yet (most of the promo was basically word of mouth - news travels pretty fast in this little town of ours). As far as I could tell, the place definitely had potential, and I wanted in.

A about a week later, my friend Brian (Raggamuffin) was DJing there, so I headed back. I spoke more to the owner about coming in and playing. He told me the DJ they had in on Friday nights just wasn't cutting it, he wanted to bring someone else in, and basically offered me the night. Of course, I accepted graciously - I mean, what DJ worth their salt turns down a Friday night residency? He said we'd be a go for that Friday (it was Sunday night that we spoke). It goes without saying, but I was amped. It had been a while since I held a residency - I'd been playing gigs here and there, and still doing Subliminal Messages every week - and I was excited to get back into the swing of things. When we spoke, I explained to him that the DJ he heard on our local pop station was not the DJ he'd get on Friday nights. Sure, I'd play hits - I know this town isn't ready for DnB and dubstep on Friday night - but I'd be playing remixes and mashups... basically "party music," but not the radio versions. He said that was exactly what he wanted, but also asked if I could throw a little promo mix together for him, just so he knew what to expect on Friday. I figured that wasn't asking too much - even though I have 5 studio mixes and over 3 years of radio show archives on my website he could've checked out - so I threw together a 45 minute, one-take mix for him to download and listen to. I emailed him a link on Wednesday night, and asked him to call me once he gave it a listen.

Let's jump to Friday... after I had promoted the hell out of me playing there via Subliminal Messages, Facebook, Twitter, etc.

I called him around lunchtime to check in, make sure everything was still as we discussed, as I hadn't heard anything from him since we spoke that previous Sunday. Voicemail. I called again when I was on my way home from the radio station (around 4:30). Voicemail. Then, I called Brian (Ragga) to ask him if he'd be willing to meet me at the club a little early to soundcheck, as I wanted to be sure that the setup was ready to go. Of course, he said he would, so we planned to meet there around 7. I had not even put my cell phone back in my pocket when it rang: the club owner was finally calling me back.

He was calling to let me know we were going to push my gig to the next week... at 6pm the night I thought I was supposed to be DJing. He told me he had booked another DJ to play that night. I informed him that I'd been promoting it all week, talked about it on my radio show, had a ton of callers who asked for details and made plans to come out, and also had a bunch of my friends who were planning to head out there for their first time - because I was supposed to be the DJ. Long story short: he called the other DJ who he'd double-booked me with, and the two of us agreed to split the night, and take a little less money than we'd both negotiated.

I got to the club at 7 to soundcheck... the DJ booth was (for lack of a better term) a complete clusterfuck. The CDJs and mixer that I was told would be there had been unplugged and moved off to the side, and the other DJ had set up two 1200s and his own mixer, plugged in to his Serato (which, of course, was what I was planning on using, but on my laptop with my own music - I had planned on playing 4-5 hours, remind you). Unfortunately, the DJ booth was an afterthought when the owners renovated the building, so the turntables were picking up massive vibrations from the subs, and Serato wouldn't run correctly. After attempting to troubleshoot the issue, we decided it would just make more sense to scrap his 1200s and re-plug in the CDJs. at almost 8:30 (doors scheduled to open at 9). So in a massive hurry, Ragga and I re-wired the booth for the CDJs, with barely enough time to have music on when the first few people were coming in. It should go without saying that I had no plans to be there since 7, so I was still in my work clothes, and without some of the things I always have with me when I DJ (sweat band, towel, water bottle, etc.)... Luckily, I had my laptop and my headphones in the car. I should also mention that I hadn't eaten lunch or dinner that day. The other DJ said he was going to go home, shower and change, and he'd be back "in a little while." He was kind enough to offer to bring me back some food and a bottle of water, and I took him up on it.

2 hours later, he returned. It was a welcome sight. At that point, I just wanted to slam down some food, and smoke a cigarette... but the other DJ forgot to inform us that he'd never played on CDJs and had no idea how they worked (which I found a little tough to believe), so he was going to "let" me play the whole night. Mixed feelings aside, I'm a professional, so I just kept on doing my thing.

Around 10:45-11pm, one of the other owners came into the booth. There were probably 50-75 people there at this point (in a club that easily packs in 500), and he just wanted to BS for a minute, make sure I was doing ok and find out if I needed anything - a rare thing for an owner to do, but when your owners are also managers/promoters, I figured it was a nice gesture.

About 10 minutes after that, the "head of security" came into the booth (a guy I'd never seen before), telling me that I "need to get people dancing." Now, basic psychology (and years of experience doing this) told me that you can't get 100 people dancing at 11 o'clock when the club appears to be more than half empty... he "suggested" I start playing hip-hop, so I did. A number of hits from Pharcyde, KRS-One, Ludacris, Jay-Z and even Ying-Yang twins later, still nothing... a few girls bouncing around a bit, but nothing too major. Then, the security guy came back and told me I had to get people dancing and I needed change it up... not necessarily what I want to hear from a security guard. 10 minutes later, another "owner" (yet another person I'd never seen before) came into the booth and, when I was in the middle of a mix - headphones on, hands on the mixer/CDJ - starts tapping me on the shoulder. He told me to play "dance music." So I transitioned out of hip-hop and into (no joke) "Boom Boom Pow." I figured it doesn't get much more "dance music" than that. Not even two songs later, the "owner" is back in the booth - again, tapping me on the shoulder during a mix - and says, "This isn't dance music. This is like hip-hop rock techno shit. You gotta do something else." I was playing a remix of "Birthday Sex." Really?

At this point, it's about 11:45 and I'd venture that there was 150-200 people there... with about 40% of them moving to the music. Not a bad ratio considering how this town is (read: not lot of dancing to be found). The "owner" is now hovering behind me, watching over my shoulder - one thing almost every DJ will tell you is not a comfortable position to be in... especially in a booth this size. He keeps telling me I need to get people dancing, to which I reply, "I've played house, breaks, b-more, electro, and hip-hop... there's not much else I can try at this point. Just let the alcohol do it's job. Give it time." He doesn't.

Around 12:30, he comes back into the booth with "his boy," the DJ who - according to the original owner I had been dealing with - wasn't cutting it, and he proceeds to tell me he's going to take over. Problem being that at this point, I've got a pretty decent group gathered on the dancefloor, and people have begun streaming through the doors... I had just started to stop holding back and had begun to play my go-to gems in my library and slamming them with the stuff that blows up the dancefloor.

But, I came to find out, the equipment I was playing on didn't belong to the club, but the DJ that was going to take over - and we all know how badly things can go from here: if I were to tell him to piss off, that I was booked, its my night, and I was going to finish it out, he could've proceeded to unplug the equipment and take it away - it was his, after all. So, tired and frustrated, I simply gave up. I spun in my last tune - which killed, by the way - and started packing up.

Never, in my 12 years of DJing in a club environment had I ever been "kicked off" the decks. I've played plenty of "opening" slots - for acts like AK1200, Icey and Dieselboy to name a few - and I know the difference between playing for an hour and playing all night, opening compared to closing, etc., but I had never warmed up a crowd for 3+ hours to have a DJ come on (read: take over) and play the same type of music I was playing!

Worst of all, this guy is not a good DJ. His mixes are sub-par at best, his track selection has a lot to be desired, and he's got no flow whatsoever. On top of all that, he's not well liked - by DJs or by partygoers. He's known to be shady. He's known to act like a rock star. Seriously dude, you're not in a rap video: the bottles of champagne in the DJ booth? Not a good look. (And definitely not a good thing when you spill a bottle on the main mixing console for the club... well done, buddy.)

When I left the booth (and proceeded to take full advantage of my bar tab), I got nothing but compliments on my set, and was asked more than I care to remember why I wasn't playing anymore - especially now that the place was packed, and was getting complaints about the music and mixing from the guy who took over. It was just one of those nights...

A week later, I was asked by another local promoter/DJ to come out and play a set at his Friday night weekly - and as I hadn't gotten any calls back from the club where I was supposed to be a Friday night resident - I took it... and absolutely smashed the place.

I tried for about two weeks after this whole debacle to be in touch with the original guy I spoke with - the one who sought me out and I had been dealing with exclusively until the night of the gig - and I still haven't gotten a phone call, email, text message, or anything else back from this guy. Ragga was doing Sunday nights there, and come to find out, this past Sunday, Ragga shows up to play and no one is even there. The doors are locked, lights are off, and no one called to tell him they'd cancelled his night. I've also been told that they were a no-show on Tuesday night as well - which they'd been promoting as our only local "Latin Night." There have also been rumors flying around town about the club pulling some other shady business that I won't repost here, as I can't speak to the validity of the accusations.

What I can tell you is this: I lived in South Florida for 25+ years, and worked as a DJ for 10 of those, and never had anything close to the bad experience I've had here. Maybe I was spoiled. Maybe I'm over-thinking it. But maybe I'm not. Maybe I'm just a DJ who loves music, loves to play, and wants to work... and I guess that makes me a magnet for the few guys that give our scene and our industry a black eye.

Or maybe not. I guess the future will tell... but hopefully it doesn't get interrupted in the middle of a mix to be told what to do by someone who has no idea what they're talking about... and then can't get a call back to save its life.

DISCLAIMER: If you're reading this and feel like any or all of it is directed at you, you're probably right... but I'm really a pretty nice guy deep down. All it takes is a phone call to make things better - or at least start the healing process. Just sayin.

Posted via email from Adding To The Clutter

Monday, February 22, 2010

Subliminal Messages Archive (2/18/10)

Hello again from radio land!

Last week's show archive is up, and we've also added the ability to subscribe to the archives in podcast form, so you're automatically updated when a new archive is available.We'll continue to post the archives online for direct download, but the podcast might offer some extra goodies for subscribers every once and a while...

Download link and tracklist are below. Enjoy!

Subliminal Messages Radio - February 18, 2010 (2hrs 28min, 136MB) [right-click and "Save As..."]

Tracklist:
Moby - Porcelain (Atlantic Connection Remix)
Clart and Glen E Stone - Mysterious Ways
DJ Marky & S.P.Y. - Give Me Your Love (feat. Random Movement)
Lenzman and Redeyes - High and Low
Michael Jackson - Rock With You (Marky & Bungle Remix)
Stereotype & Sopheye - Blowin Trees
J Majik & Wickaman - Feel About You (J Majik and Wickman Zulu Mix)
La Roux - In 4 The Kill (Subsonik Remix)
Ben Sage - You feat. Jotj (Remix)
KG - Runaway
Camo & Krooked - No Soul
Damien Marley - Welcome to Jamrock (Sigma Remix)
J Majik & Wickaman - Crazy World (Brookes Brothers Remix)
The Qemists - On the Run feat. Jenna G (VIP Mix)
Foreign Beggars - Get a Bit More (Skism Remix)
Drumsound & Bassline Smith feat. Youngman - R U Ready (Dubstep Mix)
Caspa - Marmite
Adam F & Horx - Shut the Lights Off feat. Redman (Caspa & Trolley Snatcher Remix)
Skream - What Did He Say
Instra:mental - No Future (Skream Remix)
Deadmau5 - Strobe
Booka Shade - Regenerate
Bad Boy Bill feat. Alex Peace - Fast Life (Tocadisco Remix)
Juiceboxxx - 100MPH (AC Slater Remix)
Breakdown - Play With It feat. Whiskey Pete & Julz (Gigi Barocco Remix)
BT - Suddenly (Celldweller Mix)
MSTRKRFT - Click Click (feat. E-40)
Tiesto feat. Three 6 Mafia, Flo Rida & Sean Kingston - Feel It (Partners House Remix)
Aquasky feat. Sporty-O - Outta Control
La Roux - I'm Not Your Toy (Jack Beats Remix - Actual Phantom Refix)

Posted via web from Adding To The Clutter

Tuesday, February 16, 2010

Subliminal Messages Info (and show archive!)

There's been a mssive lack of blog posts on my part, and for that I apologize. But I have been a bit busy recently, so I'm considering that a valid excuse.

For those of you who are casual readers, and not just friends who read this blog simply to appease me, you may or may not know that I'm a professional radio guy who works for two stations here in the Jacksonville area. One, 95.1 WAPE (The Big Ape), is the #1 hit music station in Jacksonville, and the other is 88.5 WFCF (Flagler College Radio) - who is kind enough to continue to let me broadcast my on-again-off-again passion project, Subliminal Messages.

Subliminal Messages was my very first radio show, originally aring in 1997 on WKPX-FM in Ft. Lauderdale, FL. The show has always focused on electronic music (in all forms), and has aired on and off on both FM and Internet radio for years. Now, its back again after a 10 month hiatus on WFCF.

More info on the show can be found at SubliminalMessagesRadio.com, but I wanted to share last week's show archive here on the blog (and I'll continue to do so every week, hopefully getting the chance to make other random posts here between shows):

Subliminal Messages - 11 Feb 2010 (2hrs 30min, 138MB) [right-click and "Save As..."]

Tracklist:
Grey Granite x Illy MC - The Final Countdown
MSTRKRFT feat. N.O.R.E. - Bounce (Felix Cartal Remix)
Steve Angello and Laidback Luke - Show Me Love (AC Slater Remix)
The Prodigy - No Good (Spectre Bootleg)
The Prodigy - Breathe (David Guetta Bootleg)
Cool Kids - Miami Beach (Hydroz Metro-Dade Bass Remix)
Fresh Celeste & M-4 SERS - Give It All to Me (DJ Icey's Boom Chk Mix)
Noisia - B.R.U.L.
The Chemical Brothers - Saturate (Stanton Warriors Remix)
Faithless - Sun to Me (Alex Morph Remix)
Yeah Yeah Yeahs - Maps (Elite Force Re-Fix)
X-Press 2 - Lazy (Norman Cook Remix)
Trouble Andrew - Chase Money (Innerpartysystem Remix)
Emika - Deep the Other (Scuba's Vulpine Remix)
MJ Cole - Sincere (Nero Remix)
Dan le Sac vs. Scoobius Pip - Thou Shalt Always Kill (Vaccine Remix)
Ooah - Heat Up The Night
Prime Cuts ft. Dynamite MC - Warning (Eddie K Remix)
Datsik - Gizmo (Original Mix)
Crissy Cris & Youngman - Kick Snare
Mistabishi - Printer Jam (Barbarix Remix)
MSTRKRFT - Heartbreaker (12th Planet Remix)
Sub Scape - Let Me Clear My Throat
The Prodigy - Take Me to the Hospital (Rusko Remix)
Tiesto ft. Jonsi - Kaleidoscope (High Contrast Remix)
Dan Miracle - Jacuzzi Track
Big Bud and Greg Packer - Rise
Shock One & Phetsta - Love Her Forever
Bailey - African Descent
DJ Fresh - Fantasia
Danny Byrd ft. Liquid - Sweet Harmony (Jungle Mix)
Rudenko - Everybody (Danny Byrd Remix)
Sub Focus - World of Hurt
Example - Won't Go Quietly (Cyantific Remix)

Enjoy! And, as always, feedback is welcome and greatly appreciated!!

-SP

Posted via web from Adding To The Clutter

Subliminal Messages Info (and show archive!)

There's been a mssive lack of blog posts on my part, and for that I apologize. But I have been a bit busy recently, so I'm considering that a valid excuse.

For those of you who are casual readers, and not just friends who read this blog simply to appease me, you may or may not know that I'm a professional radio guy who works for two stations here in the Jacksonville area. One, 95.1 WAPE (The Big Ape), is the #1 hit music station in Jacksonville, and the other is 88.5 WFCF (Flagler College Radio) - who is kind enough to continue to let me broadcast my on-again-off-again passion project, Subliminal Messages.

Subliminal Messages was my very first radio show, originally aring in 1997 on WKPX-FM in Ft. Lauderdale, FL. The show has always focused on electronic music (in all forms), and has aired on and off on both FM and Internet radio for years. Now, its back again after a 10 month hiatus on WFCF.

More info on the show can be found at SubliminalMessagesRadio.com, but I wanted to share last week's show archive here on the blog (and I'll continue to do so every week, hopefully getting the chance to make other random posts here between shows):

Subliminal Messages - 11 Feb 2010 (2hrs 30min, 138MB) [right-click and "Save As..."]

Tracklist:
Grey Granite x Illy MC - The Final Countdown
MSTRKRFT feat. N.O.R.E. - Bounce (Felix Cartal Remix)
Steve Angello and Laidback Luke - Show Me Love (AC Slater Remix)
The Prodigy - No Good (Spectre Bootleg)
The Prodigy - Breathe (David Guetta Bootleg)
Cool Kids - Miami Beach (Hydroz Metro-Dade Bass Remix)
Fresh Celeste & M-4 SERS - Give It All to Me (DJ Icey's Boom Chk Mix)
Noisia - B.R.U.L.
The Chemical Brothers - Saturate (Stanton Warriors Remix)
Faithless - Sun to Me (Alex Morph Remix)
Yeah Yeah Yeahs - Maps (Elite Force Re-Fix)
X-Press 2 - Lazy (Norman Cook Remix)
Trouble Andrew - Chase Money (Innerpartysystem Remix)
Emika - Deep the Other (Scuba's Vulpine Remix)
MJ Cole - Sincere (Nero Remix)
Dan le Sac vs. Scoobius Pip - Thou Shalt Always Kill (Vaccine Remix)
Ooah - Heat Up The Night
Prime Cuts ft. Dynamite MC - Warning (Eddie K Remix)
Datsik - Gizmo (Original Mix)
Crissy Cris & Youngman - Kick Snare
Mistabishi - Printer Jam (Barbarix Remix)
MSTRKRFT - Heartbreaker (12th Planet Remix)
Sub Scape - Let Me Clear My Throat
The Prodigy - Take Me to the Hospital (Rusko Remix)
Tiesto ft. Jonsi - Kaleidoscope (High Contrast Remix)
Dan Miracle - Jacuzzi Track
Big Bud and Greg Packer - Rise
Shock One & Phetsta - Love Her Forever
Bailey - African Descent
DJ Fresh - Fantasia
Danny Byrd ft. Liquid - Sweet Harmony (Jungle Mix)
Rudenko - Everybody (Danny Byrd Remix)
Sub Focus - World of Hurt
Example - Won't Go Quietly (Cyantific Remix)

Enjoy! And, as always, feedback is welcome and greatly appreciated!!

-SP

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Tuesday, February 2, 2010

New Music Tuesday (2/2/10)

My apologies for not updating in a while...

I love Tuesdays - always have - only for the simple fact that Tuesdays mean new music.



Today is an especially exciting Tuesday for me as a fan of BT. His new album, These Hopeful Machines, drops today, and I strongly recommend picking it up... The guy is undoubtedly one of the most talented musicians in the world of 'electronic music,' and he proves it again with this new double-disc. His production quality is second to none, and the guy really takes pride in his work. He's a prolific musician: scoring movies like Monster and Stealth, while still making dancefloor-oriented stuff and intricate electronic compositions like This Binary Universe (and I don't want to hear the argument that he produced for N*Sync, because "Pop" was probably their best song ever).
These Hopeful Machines is a testament to everything he can do - from rocking dancefloors with tunes like "Rose of Jericho" to plain rocking on "Forget Me" - and holding true to his continuing refinement of sound and texture. Go, purchase, support, and enjoy.

BT - These Hopeful Machines (iTunes) This link is for the "Remixes" version, including both CDs (mixed) and remixes and edits of the singles.
BT Official Site



Hadouken!
's full-length, For The Masses, also finds its release today. Produced by Noisia, the album is a hard-hitting, tightly wound electro-rock-rap hybrid (I'm not sure of a better way to describe it) that's sure to make a mark similar to The Prodigy's Fat of the Land. As a big-time Noisia supporter, Hadouken! got my attention simply by having the trio on as producers, but I was impressed by the style and delivery of the LP as well.
This one may not be for everybody, but if you want to try something new that still holds a bit of familiarity to it, this should be right up your alley.

Hadouken! - For The Masses (iTunes)
Hadouken Official Site



Rob Zombie also makes his return today with Hellbilly Deluxe 2. I've been iffy about his solo work, with only a few of his tunes (post-White Zombie) finding their way into my library, but from the few bits of this record I've heard, I'm willing to give it a full listen. Rockers and Zombie fans should definitely get their fill of heavy with this one.

Rob Zombie - Hellbilly Deluxe 2 (iTunes)
Rob Zombie Official Site



Finally, Lil' Wayne's Rebirth finally hits shelves today... and upfront I'll say that all I've heard from this was "Prom Queen" and maybe 30 seconds of clips from the LP. With that out of the way, I'm not sure whether or not I really want to listen to this. I'm not completely sold on Weezy: yes, he makes hit records, and yes, hes stepping out on this by making a "rock" album, but what rapper has ever done that well? Beyond Aerosmith and Run DMC teaming up for "Walk This Way," and Public Enemy and Anthrax doing "Bring the Noise," I haven't heard many successful (or decent) attempts at bridging the divide.
Working in Top 40 radio, I'm going to give this one a shot - really - but I'm going in with pretty low expectations.

Lil' Wayne - Rebirth (iTunes)
Lil' Wayne Official Site

Heading to your local shop to pick anything specific up today? Post it in the comments, and I'll check it out.

Saturday, January 9, 2010

Music of the Week (1/9/10)

Another year passes, and we find ourselves in a brand new decade. 2010 is upon us, and that means... well, the same thing every new year means: new stuff!

It's been a fairly hectic year already, and I'm sure it'll continue to be the same. But luckily, the music that has already dropped is a precursor to some great things this year. That being said, let's get started.

I haven't discussed it much on this blog (I'm sure I will eventually), but I'm an admitted sci-fi geek. I love both Star Wars and Star Trek (even though some might call that blasphemy), and most things sci-fi are right up my alley. I was really into the Battlestar Gallactica TV show, and am one of the few people I know who was actually ok with the end of the series. I've seen The Plan, and watched the pilot of SyFy's new series, Caprica, which I think has the potential to be a really interesting show. Apparently, so do the folks at XLR8R, Pitchfork and Create Digital Music.
They've released a free compliation entitled "Music For Our Future: A Special Compliation Inspired by the SyFy Original Series, Caprica." The comp features some really great things you may or may not have heard yet from artists like L'usine, The Field and Richard Devine. Its free, its awesome, and it ties in with Caprica, so its got my recommendation.
V/A - Music For Our Future: A Special Compilation Inspired by the SyFy Original Series, Caprica (via RCRD LBL)

Hate on Kanye West all you want, but I'm still a fan. Sure, he's made some ridiculous comments, interrupted America's sweetheart, Taylor Swift, at the VMAs, makes questionable choices in fashion and women, and has generally made people hate him, but you can't argue that the guy's not talented... and he keeps working and pumping out hits.
VH1 Storytellers picked up where MTV Unplugged left off (considering MTV never even airs music videos anymore), and in my opinion, does a bit of a better job by letting the artists talk a bit about what inspired some of thier stuff, as well as giving them the stage to perform it live. Kanye is the next artist to do a Storytellers show, and it's hit the shelves in dual CD+DVD release this past week. Sure, he's autotuned, but every track of 808s and Heartbreak was autotuned, so stop whining.
Kanye West - VH1 Storytellers (Amazon.com link)

In 2001, Adam F released Kaos: The Anti-Acoustic Warfare, and caught a lot of people off guard by transitioning from being a renound drum & bass producer to working with some of the biggest names in hip-hop at that time. The album was pretty damn good too. Adam did some things that really infused the two sounds, and opened the doors for other producers to make the jump as well (Chase + Status' working with Jay-Z and Rhinanna would be a great example). Kaos was remixed by some of the biggest names in the DnB scene and released as Drum and Bass Warfare: The Remixes, making for a whole other album of smashers for the DnB purists among us.
Now, he and Horx have re-vamped one of the tunes, Shut The Lights Off featuring Redman (which originally appeared as "Smash Sumthin" and remixed by both Roni Size and Bad Company UK), which won't be too familiar even if you owned either of the Kaos albums. The tune has a house vibe, and could work well in a club atmosphere, but also comes with a killer mix from Adam F and Sigma that's been rocking dancefloors, as well as a remix from dubsteppers Caspa & Trolley Snatcher. The variety alone is well worth the price.
Adam F - Kaos: The Anti-Acoustic Warfare (Amazon.com - Import only) / Drum and Bass Warfare: The Remixes (iTunes)
Adam F & Horx - Shut the Lights Off (f/ Redman)

When Jay-Z dropped The Black Album, he also released the acapellas to the world for remixers to go wild with. Dangermouse's "The Grey Album" was the biggest and most successful hit of them all (mashing the acapellas with beats sampled from The Beatles' White Album - and causing a world of controversy along with it), but there was also The Purple Album (beats sampled from Prince), The Silver Album (with RJD2 beats), The Brown Album (with original production by Kev Brown), and Black is Back! (produced by 9th Wonder) among a whole host of others - including one I remember called The Double Black Album, placing Jay's vocals over Metallica... which I never was able to make it through.
Just when you thought it had been done to death, Fly Boy Viz comes along and shakes things up by sampling The Who into a new The Who Print album, featuring current and more recent acapellas as well. Considering its a bootleg, free, and Jay-Z with The Who, I'd check it out if I were you. (No, I didn't rhyme that on purpose)
Fly Boy Viz x Jay-Z x The Who - The Who Print (via RTD)

I haven't posted links or even mentioned Symphony of Science here, but I should have. I absolutely love this concept, and think Colorpulse (aka. John Boswell) is incredibly talented. If you haven't heard of Symphony of Science, you've obviously been under a rock, but you must check it out. Boswell just released the newest song/video in the series last week, called "The Unbroken Thread."
Basically, its clips of scientists and philosophers (including Carl Sagan, Bill Nye, Stephen Hawking, Neil deGrasse Tyson and more) pontificating in autotune over some really interesting textures and music from Boswell. If you're at all into the cosmos, biology, or just what generally makes us tick as the human species, head over, watch the videos and download the songs if you're so inclined.
Symphony of Science
Colorpulse

So that's it for this week. I hope you all had a wonderful holiday and new year vacation (if you got to take one), and I hope you downloaded my last mix... because I'm into cheap plugs for my own stuff.
Till next week...

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Friday, January 8, 2010

The MPC is NOT dead.

I was just doing my daily browsing around the web when I saw this over at White Folks Get Crunk (via Mad Decent) and had to share this.


araabMUZIK Live MPC Set Part 1 from Death by Electric Shock on Vimeo.

Wow. Seriously, this cat is bananas on the MPC.
With all the software applications out that forgo needing to learn and master actual hardware, its awesome to see something like this... especially considering that he reps the Dipset camp.
...and dropping that DJ Shadow sample in there totally made my morning.

(On a side note: hopefully I'll have a Music of the Week post for you later today, but it may have to wait till tomorrow - I've got to head to the radio station soon to handle some business and pay the bills.)

 

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